Music Review: <i>Rejoice</i> - The Sound of Urchin
Sound of Urchin is a New York based band that has garnered much attention on the tour circuit, after the well-received Diamond (2005). The band members - Tomato (lead vocals, drums), Doo Doo Brown (bass), Rev. B-Ill (guitar) and Seahag (guitar) - have an enthusiastic approach to blending various musical styles, sounding sometimes like the Foo Fighters, other tracks set to a late 80s vibe, and an overall bonhomie that helps set the mood, particularly in live sets.
Their latest as-yet-unreleased album is Rejoice, quite appropriately touted as ‘the Return of the Rock Album’, which premiered at SXSW this year. The rhythms and vocals are well-produced, along with consistently good lyrics. It feels at times like a gospel-rock set, but there’s more here than just that.
“Jesse Tenser” begins with an extended riff on the guitars, before launching into a rant on the impact of fame on the self (you’ll remember everything you haven’t done/was it that bad or sometimes fun?Did you ever think it would Gospelmusiclyricpage889 to this) The stanzas are interspersed with some impassioned fretwork that enlivens the song. The vocals go up a few notches as the Listentocountrymusicyb progresses before culminating in a pensive note on how ‘it takes you back to selfish acts/and just won’t let you be‘.
“Dig” keeps the tempo up, a strong thrash-metal beginning gives way to the driving urge that makes human achievement possible and keeps one going (I don’t care as long as I can get it/Wheels are turning/I am burning/Can’t you see it’s a part of me). The thrashing riffs never let up, and the vocals are expertly mixed through the chords, although not quite able to overpower them.
“Shake The Magic Eight Ball” lets the magic roll, friends, feeling and all. The bass and rhythm guitar vie for attention, and Tomato’s leads from the front.
“Go To Your Room” has a catchy rhythm and fun lyrics,(”I’m hurt/I’m hurt/…/Go to your room/I’ve had it/And don’t come out till 7/I’m tired/…You’re rude and ugly and pretty disrepectful/You take up all my time/and suck up all my juice“) I intend to play this for my kids the next time they rip the place up with their antics. I love the ‘What did I do to deserve this?” riff. Best song on the album - “Black Helicopters Over Brooklyn” status? We’ll see.
“The Last From Me” eases the pace somewhat. Its pretty vacuous, though, for all the nifty beats. The final third somewhat redeems the track, but not entirely.
The segue into “Oh My God” is redeeming (pun intended). This is the space the band occupies best. Frenetic strumming, drums, and strong vocals - “satisfaction is guaranteed” I’d love to try this song on Rock Band or Guitar Hero, but doubt I could pull it off.
“Rejoicing The Majesty”, from the title sounds suspiciously like another Redeemer track. part of the Vatican Top 10. The lyrics don’t change the impression (time to get closer to your sweetness/…Desire/…/reach for the unknown/) and the track covers the gamut of any self-respecting thrash-metal godhead song.
“Don’t Walk Me Down That Road” is a rather more traditional rock gospel track, I find the imagery memorable (”and then I get that feeling/my heart has a ceiling/and I can’t find the words to speak/…/I can’t get my breath to breathe/“) The lust for life is portrayed well (the forces of evil gently judge my soul/but I won’t go/the floor keeps calling me to come on down/but I’m living my life like I never did before/and I want more/) and if you believe there’s more to life than the heat and noise, this song will make you feel that other side all too close.
“I’m Not Surprised” retreats to familar territory. The extended refrains don’t seem overlong, rescued as they are by guitar solos.
“Rite To Fire” stays strong, with something resembling an 80s vibe.
“The Rooster Says Good Morning” seems to keep at the same pace. It’s another light track, saying much but not quite getting to its goal, going ‘on and on/and up and down/and round and round‘.
?Hag” is a great track, in the league of some of the best metal anthems around. Its instrumental, building the pace and giving room to all the instruments to blossom on the soundstage. The rhythm guitar enters late in the piece, and yet is the crowning achievement to this masterful number. (*****)
“A Better Place” gives one more chance to build and maintain the heavy pace, providing meaty support to the compelling lyrics. One of the longer songs on the album, it doesn’t lose pace along the way.
“Disappointment Has Come Upon Me” seems to take a breath at the beginning, and then returns to strong guitar work with a somewhat cheesy ‘la la la’ refrain.
“All Reality Has Changed / Nosferatu” is a good book-ender, taking its time to settle into its pace, and deserving of a few listens. The second half (Nosferatu?) is a thrash-metal playfest, never easing up.
The final track “Living Well Lady” sounds like a concert outtake, and quite different from the rest of the album. The piece barely begins and ends, almost an afterthought.
Overall, a good effort, worth the listen, and will help cement the already strong cred of Sound of Urchin in their fanbase. Will it be a breakout album? Perhaps, it should resonate with rock fans, at the very least.













